Adobe Animate CC Classroom in a Book () Pdf – libribook.adobe animate free courses

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Flag as Inappropriate Cancel. Delete template? Are you sure you want to delete your template? Cancel Delete. Cancel Overwrite Save. Terms of service. Privacy policy. Cookie policy. Change language. Made with love in Switzerland. Gain more advanced control over complex animations with the Camera tool, and learn to focus the action on different parts of the Stage.

Explore the new Layer Depth panel which lets you control the depth level of individual layers, creating a more realistic sense of space. The online companion files include all the necessary assets for readers to complete the projects featured in each lesson as well as ebook updates when Adobe releases relevant new features for Creative Cloud customers.

All buyers of the book get full access to the Web Edition: a Web-based version of the complete ebook enhanced with video and multiple-choice quizzes. Dreamweaver CC is the industry-leading web design and development application from Adobe. With Dreamweaver you can ….

Create a new layer above the footer layer and rename it city. This positions the cityscape image just slightly below the top edge of the Stage. Motion tweens require symbols. Animate asks if you want to convert the selection to a symbol so it can proceed with the motion tween. Click OK. Animate automatically converts your selection to a symbol, with the default name Symbol 1, and stores it in your Library panel. Animate also converts the current layer to a tween layer so you can begin to animate the instance.

Tween layers are distinguished by a special icon in front of the layer name, and the frames are tinted blue. The range of frames covered by the tween is the tween span. The tween span is represented by all the colored frames from the first keyframe to the last keyframe. Tween layers are reserved for motion tweens; hence, no drawing is allowed on a tween layer. Holding down the Shift key constrains the movement to right angles. A small black diamond appears in frame at the end of the tween span.

This indicates a keyframe at the end of the tween. Animate smoothly interpolates the change in position from frame 1 to frame and represents that motion with a motion path on the Stage. Animating changes in position is simple because Animate automatically creates keyframes at the points where you move your instance to new positions. Integrated into the bottom of the Timeline is a set of playback controls. These controls allow you to play, rewind, or go step by step backward or forward through your Timeline to review your animation in a controlled manner.

You can also use the playback commands on the Control menu. Choose the Time Scrub tool or hold down The playhead loops within the marked frames. Changing the Pacing and Timing You can change the duration of the entire tween span or change the timing of the animation by dragging keyframes on the Timeline.

Changing the animation duration If you want the animation to proceed at a slower pace and thus take up a much longer period of time , you need to lengthen the entire tween span between the beginning and end keyframes. If you want to shorten the animation, you need to decrease the tween span.

Lengthen or shorten a motion tween by dragging its ends on the Timeline. Your motion tween shortens to 60 frames, reducing the time it takes the cityscape to move.

Your motion tween begins at an earlier time, so it now plays only from frame 10 to frame Note If you have multiple keyframes in a tween, changing the length of the tween span by dragging one end or the other will distribute all your keyframes uniformly. The timing of your entire animation remains the same; only the length changes. Add frames by Shift-dragging the end of a tween span.

The last keyframe in the motion tween remains at frame 60, but Animate adds frames through frame Moving keyframes If you want to change the pacing of an animation, you can select individual keyframes and then drag them to new positions. The keyframe at frame 60 is selected. A tiny box appears next to your mouse pointer, indicating that you can move the keyframe.

The last keyframe in the motion tween moves to frame 40, so the motion of the cityscape proceeds more quickly. However, if you prefer to click a motion tween and have the entire span the beginning and end keyframes, and all the frames in between be selected, you can enable Span Based Selection from the Options menu on the upper-right corner of the Timeline or you can Shift-click to select the entire span.

With Span Based Selection enabled, you can click anywhere within the motion tween to select it, and move the whole animation backward or forward along the Timeline as a single unit.

Moving keyframes vs. If you want to simply move the location of a keyframe within a tween span, make sure that only a single keyframe is selected, and that the tiny box appears next to your mouse cursor before you begin dragging the keyframe to a new location. Keyframe moved Box When you select a span of frames within a tween, you can compress or expand its duration by dragging the selection when the double-headed arrow appears near the right edge of the selection.

Understanding frame rate The speed of your animation is tied to the frame rate of your document shown in the Properties section of the Properties panel , but do not modify the frame rate in order to change the speed or duration of your animation. The frame rate determines how many frames on the Timeline make up one second of time. The default is 24 frames per second fps. The seconds are marked on the Timeline. Frame rate is a measure of how smooth an anima- tion appears—the higher the frame rate, the more frames there are to show the action.

Animations at slower frame rates appear choppy because there are fewer frames to show the action. Slow-motion videography depends on very high frame rates in order to capture action that happens very quickly, such as a speeding bullet or a falling water droplet. Instead, add or delete frames from your Timeline. If you want to change the frame rate but keep the overall duration constant, select the Scale Frame Spans option in the Properties panel before you modify the frame rate.

You can change the color effect of an instance in one keyframe and change the value of the color effect in another keyframe, and Animate will automatically display a smooth change, just as it does with changes in position. Animate will create a smooth fade-in effect.

The cityscape instance on the Stage becomes totally transparent. The cityscape instance on the Stage becomes totally opaque. Animate interpolates the changes in both position and transparency between the two keyframes. Animating filters is no different from animating changes in position or changes in Note Filters can not be animated in color effect. You simply set the values for a filter at one keyframe and set different an HTML5 Canvas values for the filter at another keyframe, and Animate creates a smooth transition.

Click the upper- right side of the Stage to select the transparent instance. Or, click the woman layer in the Timeline to highlight it; then click within the outline that appears on the Stage. Set the Blur X value to 20 pixels. The Blur Y value also changes to 20 pixels. The woman instance is blurred throughout the motion tween. Animate establishes a keyframe for filters at frame The Blur filter changes from the keyframe at frame to the keyframe at Animate creates a smooth transition from a blurry instance to an in-focus instance.

Understanding property keyframes Changes in properties are independent of one another and do not need to be tied to the same keyframes.

That is, you can have a keyframe for position, a different keyframe for the color effect, and yet another keyframe for a filter. Managing many different kinds of keyframes can become overwhelming, especially if you want dif- ferent properties to change at different times during the motion tween.

Fortunately, Animate CC provides a few helpful tools for keyframe management. For example, you can choose to view only the Position keyframes so that you can see when your object moves. Or, you can choose to view only the Filter keyframes so that you can see when a filter changes. Right-click a motion tween in the Timeline, choose View Keyframes, and then select the desired property from the list.

You can also choose All or None to see all the properties or none of the properties. When inserting a keyframe, you can also insert a keyframe specific to the property you want to change. Right-click a motion tween in the Timeline, choose Insert Keyframes, and then select the desired property. You can also view an advanced panel, called the Motion Editor, to see and edit how the different properties of your object change over the course of the motion tween.

These kinds of changes are made with the Free Transform tool or with the Transform panel. The car will start small, and then become larger as it appears to move forward toward the viewer.

The transformation handles appear around the instance on the Stage. The car becomes totally transparent. The current layer becomes a tween layer. A new keyframe is automatically inserted at frame to indicate the change in transparency. You have used Animate to tween the change in position and the change in scale as well as the change in transparency from frame 75 to frame Changing the Path of the Motion The motion tween of the left car that you just animated shows a colored line with dots indicating the path of the motion.

You can easily edit the path of the motion to make the car travel in a curve, or you can move, scale, or rotate the path just like any other object on the Stage. To better demonstrate how you can edit the path of the motion, open the sample file 04MotionPath. The file contains a single tween layer with a rocket ship moving from the top left of the Stage toward the bottom right.

The path of the motion becomes highlighted. The relative motion and timing of the animation remain the same, but the starting and ending positions are relocated. You can make the path smaller or larger, or rotate the path so that the rocket ship starts from the bottom left of the Stage and ends at the top right. Editing the path of the motion Making your objects travel on a curved path is a simple matter.

You can edit the path with Bezier precision using anchor point handles, or you can edit the path in a more intuitive manner with the Selection tool. The handle on the anchor point controls the curvature of the path.

Make the rocket ship travel in a wide curve. Select the Selection tool and make sure the path is deselected. Move your pointer close to the path of the motion. A curved icon appears next to your pointer, indicating that you can edit the path. Drag the path of the motion to change its curvature.

Choose the spots where you drag carefully! Each drag breaks the path into smaller segments, making it harder to achieve a smooth curve. Mastery will come with practice.

 
 

[Adobe Animate CC Classroom in a Book ( release) [Book]

 
Adobe Photoshop CC Classroom in a Book ( release) by Andrew Faulkner, Conrad Chavez Adobe Photoshop CC Classroom in a Book ( release) PDF Adobe Photoshop CC Classroom in a Book ( release) by by Andrew Faulkner, Conrad Chavez This Adobe Photoshop CC Classroom in a Book ( release) book is not really ordinary book, you have it then the world is in your hands. in to your account on replace.me to download the lesson files for this ADOBE ANIMATE CC CLASSROOM IN A BOOK ( REL EASE) From the Library of Alvaro Alvarez 6 ADOBE ANIMATE CC CLASSROOM IN A BOOK ( RELEASE) From the Library of Alvaro Alvarez. ANIMATE CC CLASSROOM IN A BOOK ( RELEASE) f 3 Select frame 2 in both the lights layer and the smallRumble layer. 4 Right-click and choose Insert Keyframe (F6). Animate inserts a keyframe in frame 2 of the lights layer and the smallRumble layer. The contents of the previous keyframes are copied into the new keyframes.

 

 

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This eBook requires no passwords or activation to read. We customize your eBook by discreetly watermarking it with your name, making it uniquely yours. Also available in other formats. The 12 project-based step-by-step lessons in this book show users the key techniques for working in Animate.

Adobe Animate CC provides more expressive tools, powerful controls for animation, and robust support for playback across a wide variety of platforms. Learn how to use and create vector-based brushes for painterly effects. Gain more advanced control over complex animations with the Camera tool, and learn to focus the action on different parts of the Stage. Explore the new Layer Depth panel which lets you control the depth level of individual layers, creating a more realistic sense of space.

The online companion files include all the necessary assets for readers to complete the projects featured in each lesson as well as ebook updates when Adobe releases relevant new features for Creative Cloud customers. All buyers of the book get full access to the Web Edition: a Web-based version of the complete ebook enhanced with video and multiple-choice quizzes.

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